The catch
Marantz CINEMA 40
For 7.1.4 you need an additional stereo power amp. Dirac is an optional upgrade that costs extra.
Side by side
One-box 7.1.4 and included full-bandwidth Dirac make RZ70 the choice. RZ70 powers 7.1.4 without a separate stereo amp. CINEMA 40 is the choice when three or four powered subs need individual receiver settings or seven rear high-refresh inputs matter. Its nine amps need an external stereo amp for 7.1.4. Onkyo has two independent sub outputs and a lower-bandwidth front input.
Before you buy
For seven ear-level speakers and four heights, CINEMA 40 needs two externally powered channels, while RZ70 powers all eleven internally. If you don’t own a suitable amp, weigh Marantz plus an amp, cables and appropriate installation space against the Onkyo receiver. When the amp is already in place, that gap can shrink considerably. Published channel counts alone don’t tell you what is left to buy, and this page doesn’t assume which currently wins on price.
Where this comes from
Eleven required main channels minus nine internal amps on Marantz equals two external channels. What you already own and the actual offers decide the effect on cost.
The catch
For 7.1.4 you need an additional stereo power amp. Dirac is an optional upgrade that costs extra.
The catch
Having two independent sub outputs doesn’t give you four individual receiver settings. The front HDMI port is slower.


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Marantz CINEMA 40 vs Onkyo RZ70 for 7.1.4, multiple powered subs and a busy family media room, comparing complete-system costs and front HDMI limits.
Each processes eleven main speakers and suits a substantial home theater. Which hardware matters depends on whether you are building a four-sub installation or an eleven-speaker one-box installation.
Which one fits
Eleven internal amps are inside RZ70.
Four independent outputs come with CINEMA 40.
On Marantz, the seventh input is a high-refresh connection at the rear.
Onkyo’s front AUX is easy to reach but comes with format restrictions.
In practice
For seven ear-level speakers and four heights, CINEMA 40 needs two externally powered channels, while RZ70 powers all eleven internally. If you don’t own a suitable amp, weigh Marantz plus an amp, cables and appropriate installation space against the Onkyo receiver. When the amp is already in place, that gap can shrink considerably. Published channel counts alone don’t tell you what is left to buy, and this page doesn’t assume which currently wins on price.
Eleven required main channels minus nine internal amps on Marantz equals two external channels. What you already own and the actual offers decide the effect on cost.
Both receivers give each powered sub its own output when you have one or two. Plan on a third or fourth sub and CINEMA 40 gets a clear advantage on the receiver side, since all four can have separate settings. The two independent outputs on RZ70 would call for another verified distribution or processing arrangement. A splitter can duplicate a feed, but it can’t produce a third independent receiver adjustment. What differs is control. The difference does not mean better bass at every seat.
The intended number of subs, matched against the independently adjustable outputs. No acoustic result or need for extra subs is assumed.
On CINEMA 40, seven high-refresh sources connect at the rear. RZ70 puts its seventh socket at the front for easy temporary access, but that input is 9 Gbps and limits 4K60 to 8-bit YCbCr 4:2:0. A guest laptop that sends 4K60 RGB needs a different supported setting or a rear route. For a family with six permanent sources and the occasional compatible visitor, front access can be the feature that helps. A seventh high-refresh source points to Marantz instead.
Where the seventh input is and how much bandwidth it has, matched against permanent devices and visiting ones.
Check a documented speaker layout against HDMI sources and external-amplifier plans.
Handles your setup
Runs 5.1.2 on its own built-in amplifiers. Takes 3 HDMI devices, 1 of them at 4K/120Hz.
Handles your setup
Runs 5.1.2 on its own built-in amplifiers. Takes 3 HDMI devices, 1 of them at 4K/120Hz. Use the six rear inputs for 4K/120Hz. The front input has lower limits.
A powered subwoofer does not count toward the speaker channels. This checks one main room. Check Zone 2, bi-amping and unusual speaker assignments yourself. Leave room for ventilation, and confirm HDMI settings, cables and speaker impedance before you install.

Marantz, US black standalone receiver
Separate receiver settings are needed for three or four powered subs.

Onkyo, US black standalone receiver
One receiver should run eleven main speakers along with one or two subs.
Spec by spec
| Spec | Marantz CINEMA 40 | Onkyo TX-RZ70 | In practice |
|---|---|---|---|
| 7.1.4 from internal amps | No, add a stereo amp | Yes | For this layout, Onkyo needs no additional main-room amplifier. |
| Independent sub outputs | Four | Two | Plans with three or four subs favor Marantz and its receiver-side control. |
| Seventh HDMI source | Rear high-refresh input | Front 9 Gbps AUX | Marantz fits permanent fast sources, while Onkyo fits supported visitors who need easy access. |
| Room correction supplied | Audyssey XT32, optional paid Dirac | Dirac Live Full Bandwidth | Compare the workflow you want and the license bundle. |
Trade-offs
Change of plan
Go with Marantz CINEMA 40. They come directly from Marantz.
Go with Onkyo TX-RZ70. Eleven amps and the specified Dirac license are both included with Onkyo.
Decision guide
A complete theater with fewer boxes is the aim, yet adjusting several subs separately may matter more than tucking two extra amplifiers inside the receiver.
By the numbers
What we found across the AV receivers we compare, plus the checked facts behind each finding.
| Product | Needs it meets | Facts we checked | Sources |
|---|---|---|---|
| Marantz CINEMA 40 |
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| Onkyo TX-RZ70 |
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Ready to buy
Open either model on Amazon for the current price, customer reviews and delivery options.

Each of three or four powered subs needs its own receiver settings.
Rear connections are needed for seven permanent high-refresh sources, and extra amplification is on hand.
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One receiver should run eleven main speakers along with one or two subs.
You would put included Dirac and supported front HDMI access to good use.
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