The catch
Kawai ES60
Shared practice is harder with one headphone socket and no onboard recorder.
Side by side
Pick the ES120 for phone music, two listeners and quick onboard playback. The ES60 suits a simpler solo setup with dedicated outputs and a lighter body.
Before you buy
The ES120 has two headphone sockets, and the ES60 has one. If a teacher listens in the same room with no speakers, the ES120 spares you from starting with a shared-jack accessory. None of this says which action makes less mechanical sound, which has not been measured here.
Where this comes from
Headphone sockets: ES60 1, ES120 2. Keyboard mechanism: ES60 Responsive Hammer Lite, ES120 Responsive Hammer Compact. This is a conditional workflow inference drawn from these documented inputs. There is no matched performance measurement.
The catch
Shared practice is harder with one headphone socket and no onboard recorder.
The catch
Because USB carries MIDI, getting the internal sound onto a computer takes a different route.


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Kawai ES60 vs Kawai ES120, compared on headphone sockets, included Bluetooth audio reception and internal recorder tracks, plus the practice routines that decide the better choice.
Both are lighter portable pianos from Kawai for home practice and occasional moves. The ES120 brings wireless connections, a second headphone socket and an internal recorder, and you don't have to move to a furniture cabinet to get them.
Which one fits
The ES120 has two headphone sockets, and the ES60 has one. If a teacher listens in the same room with no speakers, the ES120 spares you from starting with a shared-jack accessory. None of this says which action makes less mechanical sound, which has not been measured here.
Without the rest, Kawai lists the ES60 at 260 mm deep, and with it at 325 mm. The ES120 goes from 280 to 350 mm. With a score on the rest, the gap between them is therefore 25 mm of depth, which a bare-body comparison alone would not show.
Three one-part songs can be stored internally on the ES120, while the ES60 has no onboard recorder. If you want to hear a phrase straight back, that removes the step of connecting a device. It does not offer independent left and right recording tracks, so more elaborate practice still calls for another method.
The outputs are already on the ES60, and its bare body is 1 kg lighter. Count the stand and rest separately.
In practice
The ES120 has two headphone sockets, and the ES60 has one. If a teacher listens in the same room with no speakers, the ES120 spares you from starting with a shared-jack accessory. None of this says which action makes less mechanical sound, which has not been measured here.
Headphone sockets: ES60 1, ES120 2. Keyboard mechanism: ES60 Responsive Hammer Lite, ES120 Responsive Hammer Compact. This is a conditional workflow inference drawn from these documented inputs. There is no matched performance measurement.
Without the rest, Kawai lists the ES60 at 260 mm deep, and with it at 325 mm. The ES120 goes from 280 to 350 mm. With a score on the rest, the gap between them is therefore 25 mm of depth, which a bare-body comparison alone would not show.
Depth before music rest: ES60 260 mm, ES120 280 mm. Depth with music rest: ES60 325 mm, ES120 350 mm. This is a conditional workflow inference drawn from these documented inputs. There is no matched performance measurement.
Three one-part songs can be stored internally on the ES120, while the ES60 has no onboard recorder. If you want to hear a phrase straight back, that removes the step of connecting a device. It does not offer independent left and right recording tracks, so more elaborate practice still calls for another method.
Internal recorder tracks: ES60 No internal recorder, ES120 1. Live USB audio interface: ES60 No, ES120 No. This is a conditional workflow inference drawn from these documented inputs. There is no matched performance measurement.

Kawai, ES60
Dedicated line outputs sit in a light 11 kg body on the ES60. That makes it a good starting point if the piano travels between a small practice space and an external speaker setup.

Kawai, ES120
The ES120 offers flexible connections, namely Bluetooth audio and MIDI, two headphone sockets and dedicated line outputs, and you do not need a heavy cabinet to get them. Its onboard recorder holds three one-part songs.
Spec by spec
| Spec | Kawai ES60 | Kawai ES120 | In practice |
|---|---|---|---|
| Headphone sockets | 1 | 2 | Before you plan a shared session, count the actual listeners and check plug sizes and mode routing. |
| Included Bluetooth audio reception | No | Yes | What audio reception brings in is backing music from a supported device. It does not send sound to wireless headphones. |
| Internal recorder tracks | No internal recorder | 1 | A large number by itself counts for less than track allocation and independent overdubbing. |
| Listed instrument weight | 11 kg (without music rest) | 12 kg (without music rest) | Work out the load you will be moving from the stated measurement basis, and then add the stand, case and accessories. |
| Depth before music rest | 260 mm | 280 mm | The music rest, cable route and comfortable playing clearance are all left out of bare depth. |
Trade-offs
Change of plan
Go with Kawai ES60. Without the rest, Kawai lists the ES60 at 260 mm deep, and with it at 325 mm. The ES120 goes from 280 to 350 mm. With a score on the rest, the gap between them is therefore 25 mm of depth, which a bare-body comparison alone would not show.
Go with Kawai ES120. The ES120 has two headphone sockets, and the ES60 has one. If a teacher listens in the same room with no speakers, the ES120 spares you from starting with a shared-jack accessory. None of this says which action makes less mechanical sound, which has not been measured here.
Neither model fits. Manufacturer records contain no matched test for those outcomes. Try the instruments under the conditions you intend to play in.
Decision guide
The ES120 has two headphone sockets, and the ES60 has one. If a teacher listens in the same room with no speakers, the ES120 spares you from starting with a shared-jack accessory. None of this says which action makes less mechanical sound, which has not been measured here.
Without the rest, Kawai lists the ES60 at 260 mm deep, and with it at 325 mm. The ES120 goes from 280 to 350 mm. With a score on the rest, the gap between them is therefore 25 mm of depth, which a bare-body comparison alone would not show.
Three one-part songs can be stored internally on the ES120, while the ES60 has no onboard recorder. If you want to hear a phrase straight back, that removes the step of connecting a device. It does not offer independent left and right recording tracks, so more elaborate practice still calls for another method.
By the numbers
What we found across the digital pianos we compare, plus the checked facts behind each finding.
| Product | Needs it meets | Facts we checked | Sources |
|---|---|---|---|
| Kawai ES60 |
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| Kawai ES120 |
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Ready to buy
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