Side by side

BenQ X500i vs Epson Home Cinema 2350: 100 inches takes about 5–6 ft with BenQ and 9.6–15.7 with Epson

Quick verdict

At 100 inches and 16:9, the X500i works from about 5.01 to 6.03 ft away from the lens, and the Epson 2350 from about 9.64 to 15.65 ft. Placement on the X500i must be level and at a fixed height, since it has no optical lens shift. The Epson needs sturdy, level, centered support and gives vertical-only shift. Leave room for the body, cables and ventilation either way, meaning BenQ’s 50 cm wall clearance or Epson’s 10/20/30 cm diagram plus open underbody vents. The X500i can keep its internal streamer, a console and a compatible ARC/eARC bar connected. The Epson’s streamer and ARC bar take up both inputs. Check the actual image and the complete signal path. Neither supports 4K120.

Before you buy

Why, and what it costs you

A shelf at the back can turn a short-throw recommendation around

Hold the size at 100-inch 16:9 and a 5.5 ft lens position falls within X500i’s approximate 5.01 to 6.03 ft range, while a 13 ft shelf falls within Epson’s 9.64 to 15.65 ft range. BenQ needs level, fixed-height placement with no optical lens shift and 50 cm of wall clearance. Epson needs sturdy, level support that is horizontally centered given vertical-only shift, open underbody vents and its 10/20/30 cm clearances. Either way, set aside room for the body and cables and test the actual image. Changing where the lens sits flips the optical choice even though the connected devices stay the same.

Where this comes from

Both the BenQ and Epson manuals measure from the lens, state the 16:9 aspect ratio and provide approximate tables for each size. The chosen distances fall inside the matching 100-inch rows. Whether the optics suit the room is a separate question from chassis space, image height, shelf support and the operating clearances.

The catch

BenQ X500i

According to the manual, a 100-inch 16:9 image needs about 5.01 to 6.03 ft from lens to screen. Image height is fixed and there is no optical lens shift. Leave room for the body and cables, at least 50 cm of wall clearance and free airflow, and verify the image before mounting. A rear shelf that sits far back can rule it out.

The catch

Epson Home Cinema 2350

For a 100-inch 16:9 picture, expect about 9.64 to 15.65 ft from lens to screen. Support it sturdily, level and centered, check the height against the vertical-only shift, and keep space for the body and cables, open underbody vents and the manual’s 10/20/30 cm clearance zones. A short front table can rule it out.

BenQ X500i

BenQ X500i

Why pick it
  • The X500i is the one for a 100-inch 16:9 image when its lens sits about 5.01 to 6.03 ft away. Give it level, square placement at the fixed image height, with space for the body and cables, 50 cm of wall clearance and airflow. Optical lens shift is not available. Before mounting, verify the actual image and the source and cable signal. Neither projector supports 4K120.
  • The X500i is the one that keeps QS02, one console and a compatible ARC/eARC bar connected, through its internal streamer port and two external HDMI ports. Verify the signal and audio route. At 100 inches and 16:9, plan on about 5.01 to 6.03 ft of lens distance, a fixed image height, level support, room for the body and cables, 50 cm wall clearance and airflow. There is no optical lens shift or 4K120.
The catch
According to the manual, a 100-inch 16:9 image needs about 5.01 to 6.03 ft from lens to screen. Image height is fixed and there is no optical lens shift. Leave room for the body and cables, at least 50 cm of wall clearance and free airflow, and verify the image before mounting. A rear shelf that sits far back can rule it out.
See price & reviews on Amazon
Epson Home Cinema 2350

Epson Home Cinema 2350

Why pick it
  • The Epson 2350 is the one for a 100-inch 16:9 image sitting about 9.64 to 15.65 ft from the lens. The shelf must be sturdy, level and horizontally centered, and must work with the vertical-only shift, the body and cables, the open underbody vents and the 10/20/30 cm clearance diagram. Verify the projected image and signal. A streamer plus an ARC bar take up both HDMI ports, so a console needs another verified route. There is no 4K120.
The catch
For a 100-inch 16:9 picture, expect about 9.64 to 15.65 ft from lens to screen. Support it sturdily, level and centered, check the height against the vertical-only shift, and keep space for the body and cables, open underbody vents and the manual’s 10/20/30 cm clearance zones. A short front table can rule it out.
See price & reviews on Amazon

We may earn a commission from qualifying Amazon purchases. How we make money

Comparison updated , Product data updated , Amazon.com / United States

What this page compares

Front table or rear shelf? See how the BenQ X500i and Epson 2350 cope with placement and with keeping a streamer, console and ARC soundbar connected.

When a household picks a projector for streamed movies and console games, the real choice may be between a low front table and a shelf behind the seats. Streaming hardware comes with both. What separates them is where a fixed screen can be filled and whether the streamer, console and audio-return soundbar can all stay connected with no extra box and no cable swapping.

Which one fits

Pick the situations that sound like you

  • The lens has to sit at a 5.5 ft front position for a 100-inch 16:9 picture

    5.5 ft is inside X500i’s approximate 5.01 to 6.03 ft lens range. Set it level and square at its fixed image height, and leave room for the body and cables, 50 cm of wall clearance and airflow. There is no optical lens shift, so test before mounting. Epson needs at least about 9.64 ft for this size. Check the signal you intend to use, and note there is no 4K120.

    BenQ X500i
    Better fit
    Epson Home Cinema 2350
    Not suitable
  • The lens has to be at a 13 ft rear-shelf position for a 100-inch 16:9 picture

    13 ft sits inside Epson’s approximate 9.64 to 15.65 ft lens range. Give it sturdy, level support that is horizontally centered, since shift is vertical only, and leave room for the body and cables, keep the underbody vents open and follow its 10/20/30 cm clearance diagram. Test the image. The streamer and ARC bar take both inputs, so work out another route for the console. X500i stops at about 6.03 ft. Neither handles 4K120.

    BenQ X500i
    Not suitable
    Epson Home Cinema 2350
    Better fit
  • I can pick a suitable front position and want the streamer, console and ARC bar to stay connected

    X500i keeps the internal QS02 and still has its two external HDMI ports for one console and a compatible ARC/eARC bar. Verify the signal and audio route. At 100-inch 16:9 it also needs a lens distance of about 5.01 to 6.03 ft, a level fixed height, room for the body and cables, 50 cm of wall clearance and airflow. With Epson’s streamer and ARC bar, no input stays free for a console. There is no optical lens shift and no 4K120.

    BenQ X500i
    Better fit
    Epson Home Cinema 2350
    Caution
  • I have gear on hand that can switch the video sources I need

    A receiver or a switching soundbar cancels the direct-input advantage only when its inputs, output, video mode and audio-return route all work together. Placement still decides. At 100-inch 16:9, BenQ needs about 5.01 to 6.03 ft, a fixed height, level support and 50 cm of wall clearance. Epson needs about 9.64 to 15.65 ft, level support that is centered because shift is vertical only, and its 10/20/30 cm clearances with open underbody vents. Allow for the body, cables and airflow, test the image and verify the signal. There is no 4K120.

    BenQ X500i
    Depends
    Epson Home Cinema 2350
    Depends
  • The 13 ft shelf can’t move, and all three devices have to stay directly connected

    From 13 ft, X500i can’t fill that 100-inch 16:9 image. The Epson fits optically, but its streamer and ARC bar take both inputs. Either move to a verified safe installation or change the connection plan. Neither meets the combined requirement directly, and neither supports 4K120.

    BenQ X500i
    Not suitable
    Epson Home Cinema 2350
    Not suitable
  • Its sole possible position would block the vents, miss the needed image height or require 4K/120

    Change the installation or the required signal before you buy. Digital correction can’t provide ventilation, optical height adjustment or 4K120. BenQ wants stable, level placement and 50 cm of wall clearance. Epson wants level support that is centered, given vertical-only shift, plus open underbody vents and its 10/20/30 cm clearances. For both, leave room for the body and cables and check the actual projected image.

    BenQ X500i
    Not suitable
    Epson Home Cinema 2350
    Not suitable

In practice

Differences you will notice

A shelf at the back can turn a short-throw recommendation around

Hold the size at 100-inch 16:9 and a 5.5 ft lens position falls within X500i’s approximate 5.01 to 6.03 ft range, while a 13 ft shelf falls within Epson’s 9.64 to 15.65 ft range. BenQ needs level, fixed-height placement with no optical lens shift and 50 cm of wall clearance. Epson needs sturdy, level support that is horizontally centered given vertical-only shift, open underbody vents and its 10/20/30 cm clearances. Either way, set aside room for the body and cables and test the actual image. Changing where the lens sits flips the optical choice even though the connected devices stay the same.

How we worked this out

Both the BenQ and Epson manuals measure from the lens, state the 16:9 aspect ratio and provide approximate tables for each size. The chosen distances fall inside the matching 100-inch rows. Whether the optics suit the room is a separate question from chassis space, image height, shelf support and the operating clearances.

The two external sockets can fit different daily routines

Keep placement as it is and count which sockets are taken. X500i’s internal QS02 leaves two external HDMI ports free for one console and a compatible ARC/eARC bar. Epson spends both on its streamer and ARC bar. Verify the entire signal and audio route, and remember there is no 4K120. BenQ’s benefit also depends on the 100-inch 16:9 lens range of about 5.01 to 6.03 ft, level fixed-height placement, room for the body and cables, 50 cm of wall clearance and airflow. A suitable receiver you already own, or dropping the ARC-bar requirement, can erase this advantage in cable swapping.

How we worked this out

It all depends on where the included streamer plugs in. X500i gives it a dedicated internal connection and still has two external HDMI inputs. Epson’s streaming device uses one of its two HDMI inputs in total. That tells you how many sockets are available, not whether everything is automatically compatible or how it will sound.

A shelf plus a no-switching rule may call for a third plan

With the lens fixed at 13 ft and a 100-inch 16:9 image, X500i’s approximate 5.01 to 6.03 ft range is out. Epson reaches the distance, but its streamer and ARC bar fill both HDMI inputs. If the console must also stay directly connected, both are ruled out. A verified receiver, switch or different audio route can bring Epson back, but only with level support that is centered, suitable vertical shift, room for the body and cables, open underbody vents and its 10/20/30 cm clearances. Verify the image and signal. Neither supports 4K120.

How we worked this out

The farther optical placement and the three-device direct connection are separate requirements. In the fixed 13 ft, 100-inch example, neither projector delivers both. A compatible external routing device can alter the connection requirement, though what it can do and what it costs aren’t established here.

Plug in your numbers

Will either projector work in your room?

This checks hard limits only. Personal preferences are left out of the math.

BenQ X500i

Does not work with your numbers

For a 120-inch 16:9 picture, the manual-table lens range is about 6.01 to 7.23 ft. You entered 9.50 ft. Optical fit only: use the 1.2x optical zoom, level square placement at the fixed image height, body/cable space, 50 cm wall clearance and free airflow. No optical lens shift. For image quality, BenQ recommends the manual’s non-gray table rows. Test the actual image before mounting. Digital correction adds no optical range.

Epson Home Cinema 2350

Does not work with your numbers

For a 120-inch 16:9 picture, the manual-table lens range is about 11.58 to 18.80 ft. You entered 9.50 ft. Optical fit only: use the 1.62x optical zoom and sturdy level, horizontally centered support within vertical-only lens shift. Allow body/cables, open underbody vents and the manual’s 10/20/30 cm clearance diagram. Test the actual image before mounting. Digital correction adds no optical range.

Measure distance from the lens to the screen. The math assumes a 16:9 picture and uses the verified throw range for each exact model.

Option A
BenQ X500i

BenQ, X500i

X500i

A 100-inch 16:9 image from the X500i needs the lens about 5.01 to 6.03 ft away, with fixed image height and no optical lens shift. Plan for level support, room for the body and cables, 50 cm of wall clearance and airflow. Its internal QS02 leaves two external HDMI ports for a console and a compatible ARC/eARC bar. Verify the signal and audio route. There is no 4K120.

Best for
The X500i is the one for a 100-inch 16:9 image when its lens sits about 5.01 to 6.03 ft away. Give it level, square placement at the fixed image height, with space for the body and cables, 50 cm of wall clearance and airflow. Optical lens shift is not available. Before mounting, verify the actual image and the source and cable signal. Neither projector supports 4K120.

Facts we checked

  • Placing a 100-inch 16:9 picture: Manual lens distance 1,528 to 1,837 mm, about 5.01 to 6.03 ft
  • Matching shelf height: Manual zoom and focus with a fixed projection offset
  • Keeping the streamer, console and soundbar attached: Internal HDMI 3 for QS02, external HDMI 1 for console, external HDMI 2 for ARC/eARC bar
  • Making the audio-return connection work: Select Audio Return+ and enable the bar’s eARC/ARC function
Option B
Epson Home Cinema 2350

Epson, V11HA73020

Home Cinema 2350

For a 100-inch 16:9 image, Epson 2350 needs the lens about 9.64 to 15.65 ft away. Provide sturdy, level, centered support within vertical-only shift, space for the body and cables, open underbody vents and its 10/20/30 cm clearances. The streamer and ARC bar take up both inputs, so a console needs another verified route. There is no 4K120.

Best for
The Epson 2350 is the one for a 100-inch 16:9 image sitting about 9.64 to 15.65 ft from the lens. The shelf must be sturdy, level and horizontally centered, and must work with the vertical-only shift, the body and cables, the open underbody vents and the 10/20/30 cm clearance diagram. Verify the projected image and signal. A streamer plus an ARC bar take up both HDMI ports, so a console needs another verified route. There is no 4K120.

Facts we checked

  • Placing a 100-inch 16:9 picture: Manual lens distance 115.7 to 187.8 inches, about 9.64 to 15.65 ft
  • Matching shelf height: Manual zoom and focus plus vertical lens shift up to 60% of image height in either direction
  • Keeping the streamer, console and soundbar attached: HDMI 2 for the included streamer, HDMI 1 for the ARC bar, no unused HDMI port
  • Making the audio-return connection work: Enable HDMI Link and choose AV System as Audio Out Device

Spec by spec

Where they really differ

Where BenQ X500i and Epson Home Cinema 2350 differ
SpecBenQ X500iEpson Home Cinema 2350In practice
Placing a 100-inch 16:9 pictureManual lens distance 1,528 to 1,837 mm, about 5.01 to 6.03 ftManual lens distance 115.7 to 187.8 inches, about 9.64 to 15.65 ftOpposite choices can come from a front table and a rear shelf. The distances here are approximate lens-to-screen figures and not total room depths. The body, cables, image height and ventilation still have to fit as well.
Matching shelf heightManual zoom and focus with a fixed projection offsetManual zoom and focus plus vertical lens shift up to 60% of image height in either directionEpson can shift the picture vertically without tilting the projector, but it has no horizontal lens shift and doesn’t make every shelf height workable. For a level tabletop setup, BenQ’s 100-inch table lists 31 mm between the lens centerline and the bottom edge. Digital keystone is not the same as optical lens shift.
Keeping the streamer, console and soundbar attachedInternal HDMI 3 for QS02, external HDMI 1 for console, external HDMI 2 for ARC/eARC barHDMI 2 for the included streamer, HDMI 1 for the ARC bar, no unused HDMI portBenQ can keep all three devices connected without an extra HDMI switch, as long as the source, cables and audio are compatible. Epson requires cable swapping or a separately supported routing alternative. Count the ports that are taken instead of treating every socket as a free video input.
Making the audio-return connection workSelect Audio Return+ and enable the bar’s eARC/ARC functionEnable HDMI Link and choose AV System as Audio Out DeviceSound isn’t guaranteed just because the sockets are there. Use the return-capable port at each end, a suitable cable and a format the whole path supports. Bluetooth on Epson’s streamer does not carry audio from the console’s HDMI input.
Checking the video mode before buying cables4K up to 60 Hz, with separately documented 1080p 120 and 240 Hz modes4K Enhancement and 1080p HDMI timing tables top out at 60 HzNeither projector is the pick for 4K/120. BenQ having a high-refresh mode doesn’t guarantee that every console, game, cable or intermediate device can use it. The published lag figures differ, but they don’t make up a controlled comparison of response time.

Trade-offs

What each pick costs you

With BenQ X500i

  • Its streamer has the internal QS02 connection to itself. An ARC/eARC bar uses one external HDMI port, which leaves one for a console. Use the connection check to verify the full signal and audio route. 1080p high refresh is a separate matter from 4K60, and there is no 4K120.

With Epson Home Cinema 2350

  • Both HDMI inputs are taken by the streamer and ARC bar, so a console means swapping cables or finding another verified route. Follow the ARC connection check. Bluetooth on the streamer doesn’t handle HDMI console audio. Verify the modes and formats, and note there is no 4K120.

Change of plan

When the answer changes

The front 5.5 ft lens position is what a 100-inch 16:9 image needs

Go with BenQ X500i. X500i’s approximate range of 5.01 to 6.03 ft includes the 5.5 ft position. Plan for its fixed image height, level and square support, room for the body and cables, 50 cm of wall clearance and airflow. There is no optical lens shift. Before mounting, verify the projected image and signal, and note there is no 4K120.

What matters is a supported short-throw position and a direct connection for all three devices

Go with BenQ X500i. With the QS02 connected internally, the two external ports are free for a console and a compatible ARC/eARC bar. Check signal and audio compatibility. At 100-inch 16:9, X500i needs a lens distance of about 5.01 to 6.03 ft, a fixed image height, level support, room for the body and cables, 50 cm of wall clearance and airflow. It has no optical lens shift and no 4K120.

The fixed 13 ft shelf is the bigger concern, and the console connection plan is settled

Go with Epson Home Cinema 2350. For 100-inch 16:9, a 13 ft lens position is within Epson’s approximate 9.64 to 15.65 ft range. Provide sturdy, level support that is horizontally centered given vertical-only shift, along with space for the body and cables, open underbody vents and its 10/20/30 cm clearances. Since the streamer and ARC bar fill both inputs, verify the alternative console route and the actual image. It has no 4K120.

The 13 ft shelf and the direct three-device connection are both non-negotiable, or the operating limits can’t be met

Neither model fits. 13 ft falls outside X500i’s 100-inch 16:9 range, and Epson’s streamer and ARC bar leave no console input free. Change the lens position or verify external routing. Any of these rules out the proposed setup on its own: unsupported image height, unsafe support, blocked ventilation or a mandatory 4K120 signal.

Decision guide

Before you buy

Begin by measuring the lens position and the screen height. After that, map out the full connection path for streamer, console and audio.

Check these before you buy

  • Make sure what you are buying is the BenQ X500i with the included QS02, or the US Epson Home Cinema 2350 model V11HA73020 with its Android TV device. Look over the selected model, condition, seller and package. Nothing on this page claims a current price, stock level, seller or delivery.
  • The example quoted uses a 100-inch diagonal and a 16:9 picture. From lens to screen, BenQ’s manual gives 1,528 to 1,837 mm, and Epson gives 115.7 to 187.8 inches. The approximate foot ranges shown come from dividing those table values by 304.8 mm per foot or 12 inches per foot. They are unit conversions of manufacturer tables. They are neither a measured installation nor a promise at the endpoints. A different diagonal or aspect ratio calls for the placement instructions of that model.
  • The X500i has a published throw ratio of 0.69 to 0.83, and the Epson 2350 has 1.32 to 2.15. A throw ratio ties lens distance to image width, and says nothing about diagonal or the distance from chassis to wall. The more detailed manual tables used here take priority over the rounded ratio specifications. Set aside chassis depth, connector bends and ventilation separately.
  • The X500i needs a level, horizontal surface and unobstructed airflow, with at least 50 cm between it and any wall. Keep it off soft material and leave the vents uncovered. In its 100-inch tabletop example, the bottom of the image lands about 31 mm above the lens centerline, and a ceiling installation flips that relationship to the top edge. Optical lens shift does not exist on this model. Use the proper mounting hardware, and verify the actual image before installing permanently.
  • The Epson calls for sturdy, level support, horizontal centering and unblocked ventilation both around and underneath it. According to the top-view installation diagram on page 24, leave 30 cm in front, 10 cm behind, 20 cm on the left side of the diagram and 10 cm on its right. Go by the illustrated orientation, because 10 cm is not enough everywhere. Once cables and clearance are counted, the shelf needs more depth than the projector’s 10.9-inch body. For a high shelf or ceiling installation, the manual describes a safety wire that is available separately.
  • On the Epson, lens shift is vertical only and reaches up to 60% of image height either way from the illustrated home position. Use the manual’s diagram to confirm screen and lens height. Start adjusting from below the intended image position and move upward, which helps the image stay put. For the clearest picture, the manual recommends the center dial position. Lens shift neither extends the throw range nor corrects sideways displacement.
  • On the BenQ, QS02 goes into the dedicated internal HDMI connection, and the projector must be off and unplugged while you install it. Use external HDMI 1 for the console and external HDMI 2 for the soundbar’s ARC/eARC port. Set Audio Output to Audio Return+ and turn on eARC/ARC on the soundbar. Pick suitable cables and check the source and sound format you chose. The internal socket and an audio-return socket already in use are both unavailable as another console input.
  • On the Epson, the Android TV device takes HDMI 2. An ARC-compatible soundbar goes on HDMI 1, with HDMI Link set to On and Audio Out Device set to AV System. Once both ports are occupied, a console requires cable changes, or a switch, receiver or alternative audio path that has been verified separately. Bluetooth on the streamer only carries Android TV audio, so you cannot assume it will send HDMI console sound to a Bluetooth speaker.
  • A receiver or soundbar you already own narrows the gap in direct inputs only when it has the video inputs you need and a verified output path to the projector. Count the projector port that output uses, and keep the included streamer’s port in mind too. For every device and cable, check the exact resolution, refresh rate, HDR, copy protection, audio format and ARC behavior. Just because an ARC-only soundbar returns audio does not mean it gains a console input. Neither projector includes extra equipment, and this comparison does not endorse a particular switch or receiver.
  • Before buying accessories for either projector, verify the exact input resolution and refresh rate, the cable capacity and the audio format. Neither offers 4K at 120 Hz. BenQ’s 1080p high-refresh modes are not 4K modes and are not promised for every console. BenQ’s low-latency setup keeps keystone at zero, aspect ratio on Auto and digital zoom at 100%. Epson recommends a progressive console signal, provides Fast Image Processing, and asks for an ultra-high-speed HDMI cable to use 4K Enhancement at 60 Hz. None of these instructions establishes a measured latency winner.
  • With the QS02 fitted, BenQ gives an operating temperature limit of 0 to 35°C at sea level. Epson specifies 5 to 35°C up to 2,286 m, and 5 to 30°C from there to 3,048 m. Follow the altitude rules in each manual, including High Altitude Mode where required. Do not hide fan noise by using a cramped cabinet or blocking vents. Each streaming system needs its own network and app setup, and some services require subscriptions.

What this page can’t tell you

  • What you see here compares published placement tables and documented connections. We have not installed either projector in the example room, and we have not tested any console, receiver, switch or soundbar combination.
  • Finding a lens distance inside a table only makes a projector an optical candidate. It says nothing certain about the shelf, mount, screen height, cables, ventilation, daylight performance or picture quality.
  • We assert no brightness-standard conversion, measured contrast, input-lag superiority, universal audio-format support or live offer. An eARC label by itself does not guarantee a particular surround format through every device.
  • The rear shelf in this comparison sits behind the seating and projects onto the front of the screen. That is different from the Rear projection mode in the manuals, where the projector goes behind a suitable rear-projection screen.

By the numbers

What the data shows

What we found across the home projectors we compare, plus the checked facts behind each finding.

Show the facts and the math
Models in the comparison
2 models
Sources
4 covering these models
Product data updated
The facts and sources behind each product in this recommendation
ProductNeeds it meetsFacts we checkedSources
BenQ X500i
  • The X500i is the one for a 100-inch 16:9 image when its lens sits about 5.01 to 6.03 ft away. Give it level, square placement at the fixed image height, with space for the body and cables, 50 cm of wall clearance and airflow. Optical lens shift is not available. Before mounting, verify the actual image and the source and cable signal. Neither projector supports 4K120.
  • The X500i is the one that keeps QS02, one console and a compatible ARC/eARC bar connected, through its internal streamer port and two external HDMI ports. Verify the signal and audio route. At 100 inches and 16:9, plan on about 5.01 to 6.03 ft of lens distance, a fixed image height, level support, room for the body and cables, 50 cm wall clearance and airflow. There is no optical lens shift or 4K120.
  • Placing a 100-inch 16:9 picture: Manual lens distance 1,528 to 1,837 mm, about 5.01 to 6.03 ft
  • Matching shelf height: Manual zoom and focus with a fixed projection offset
  • Keeping the streamer, console and soundbar attached: Internal HDMI 3 for QS02, external HDMI 1 for console, external HDMI 2 for ARC/eARC bar
  • Making the audio-return connection work: Select Audio Return+ and enable the bar’s eARC/ARC function
  • Checking the video mode before buying cables: 4K up to 60 Hz, with separately documented 1080p 120 and 240 Hz modes
Epson Home Cinema 2350
  • The Epson 2350 is the one for a 100-inch 16:9 image sitting about 9.64 to 15.65 ft from the lens. The shelf must be sturdy, level and horizontally centered, and must work with the vertical-only shift, the body and cables, the open underbody vents and the 10/20/30 cm clearance diagram. Verify the projected image and signal. A streamer plus an ARC bar take up both HDMI ports, so a console needs another verified route. There is no 4K120.
  • Placing a 100-inch 16:9 picture: Manual lens distance 115.7 to 187.8 inches, about 9.64 to 15.65 ft
  • Matching shelf height: Manual zoom and focus plus vertical lens shift up to 60% of image height in either direction
  • Keeping the streamer, console and soundbar attached: HDMI 2 for the included streamer, HDMI 1 for the ARC bar, no unused HDMI port
  • Making the audio-return connection work: Enable HDMI Link and choose AV System as Audio Out Device
  • Checking the video mode before buying cables: 4K Enhancement and 1080p HDMI timing tables top out at 60 Hz

Ready to buy

See today’s price and what owners say

Open either model on Amazon for the current price, customer reviews and delivery options.

BenQ X500i

BenQ X500i

The X500i is the one for a 100-inch 16:9 image when its lens sits about 5.01 to 6.03 ft away. Give it level, square placement at the fixed image height, with space for the body and cables, 50 cm of wall clearance and airflow. Optical lens shift is not available. Before mounting, verify the actual image and the source and cable signal. Neither projector supports 4K120.

The X500i is the one that keeps QS02, one console and a compatible ARC/eARC bar connected, through its internal streamer port and two external HDMI ports. Verify the signal and audio route. At 100 inches and 16:9, plan on about 5.01 to 6.03 ft of lens distance, a fixed image height, level support, room for the body and cables, 50 cm wall clearance and airflow. There is no optical lens shift or 4K120.

See price & reviews on Amazon
Epson Home Cinema 2350

Epson Home Cinema 2350

The Epson 2350 is the one for a 100-inch 16:9 image sitting about 9.64 to 15.65 ft from the lens. The shelf must be sturdy, level and horizontally centered, and must work with the vertical-only shift, the body and cables, the open underbody vents and the 10/20/30 cm clearance diagram. Verify the projected image and signal. A streamer plus an ARC bar take up both HDMI ports, so a console needs another verified route. There is no 4K120.

See price & reviews on Amazon

Each link opens in a new tab.

We may earn a commission from qualifying Amazon purchases. How we make money