Side by side

JVC DLA-NZ500 vs Epson QB1000: Epson accepts 4K120 and suits a deeper room

Quick verdict

For a movie-first native-4K D-ILA setup that fits within its lens range, take the NZ500. For 4K/120 gaming, a deeper room or a demanding offset mount, take the QB1000. Powered lens adjustment comes with both. The Epson’s wider throw interval may settle things before panel technology even comes up.

Before you buy

Why, and what it costs you

In a deep room, the choice is easy

With the lens at 22 feet, the QB1000 can frame a 120-inch screen optically, while the NZ500 stops at about 18.7 feet for that size. That can tip the choice to Epson even if native-4K panels were what you first preferred.

Where this comes from

JVC DLA-NZ500: 104.59-inch picture width × 2.14 / 12 = 18.65 ft maximum. Epson QB1000: 104.59 × 2.84 / 12 = 24.75 ft maximum.

The catch

JVC DLA-NZ500

Mixed-use rooms and deep rooms may be ruled out by the 60 Hz ceiling and shorter maximum throw.

The catch

Epson QB1000

It is still a large projector for permanent installation, with no short-throw answer.

JVC DLA-NZ500

JVC DLA-NZ500

Why pick it
  • Most of what you watch is films at 24 or 60 frames per second
  • You rank native-4K D-ILA panels highly
The catch
Mixed-use rooms and deep rooms may be ruled out by the 60 Hz ceiling and shorter maximum throw.
See price & reviews on Amazon
Epson QB1000

Epson QB1000

Why pick it
  • Your rear lens position is over nineteen feet from a 120-inch screen
  • You need 4K/120 for your console or PC
The catch
It is still a large projector for permanent installation, with no short-throw answer.
See price & reviews on Amazon

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Comparison updated , Product data updated , Amazon.com / United States

What this page compares

A permanent theater, a deep room, 4K/120 games and native panels: see how the JVC NZ500 and Epson QB1000 compare, including the lens limits that can settle the purchase.

Which one fits

Pick the situations that sound like you

  • A 120-inch screen with a 22-foot lens position

    From that position, Epson is the only one that reaches this size optically.

    JVC DLA-NZ500
    Not suitable
    Epson QB1000
    Better fit
  • A 120-inch screen with a ten-foot shelf

    At minimum throw, each needs close to twelve feet.

    JVC DLA-NZ500
    Not suitable
    Epson QB1000
    Not suitable
  • A room used only for movies, with a suitable mount

    The installation works with either. Compare picture preferences and do not assume a lab-tested winner.

    JVC DLA-NZ500
    Good
    Epson QB1000
    Good
  • A console input that must be 4K/120

    The input format is supported by Epson.

    JVC DLA-NZ500
    Not suitable
    Epson QB1000
    Better fit

In practice

Differences you will notice

In a deep room, the choice is easy

With the lens at 22 feet, the QB1000 can frame a 120-inch screen optically, while the NZ500 stops at about 18.7 feet for that size. That can tip the choice to Epson even if native-4K panels were what you first preferred.

How we worked this out

JVC DLA-NZ500: 104.59-inch picture width × 2.14 / 12 = 18.65 ft maximum. Epson QB1000: 104.59 × 2.84 / 12 = 24.75 ft maximum.

A wider lens does nothing for a shallow room

At 120 inches, the minimum distance differs by only about one inch. From a ten-foot shelf neither works optically. What the Epson adds is flexibility at the far end of the room and not a short-throw option.

How we worked this out

JVC DLA-NZ500: Minimum throw 1.34. Epson QB1000: Minimum throw 1.35. Difference = 104.59 × 0.01 = 1.05 inches.

A family theater used by everyone has a clear input limit

If a 4K/120 game source is required, the NZ500 is out and the QB1000 accepts it. Households that only watch movies can ignore that advantage, but a room for both film and gaming should settle format compatibility before fine picture preferences.

How we worked this out

JVC DLA-NZ500: Published input list stops at 4K/60. Epson QB1000: US specification includes 4K/120.

Plug in your numbers

Will either projector work in your room?

This checks hard limits only. Personal preferences are left out of the math.

JVC DLA-NZ500

Does not work with your numbers

For a 120-inch 16:9 picture, the calculated lens range is about 11.68 to 18.65 ft. You entered 9.50 ft.

Epson QB1000

Does not work with your numbers

For a 120-inch 16:9 picture, the calculated lens range is about 11.77 to 24.75 ft. You entered 9.50 ft.

Measure distance from the lens to the screen. The math assumes a 16:9 picture and uses the verified throw range for each exact model.

Option A
JVC DLA-NZ500

JVC, DLA-NZ500

DLA-NZ500

For a permanent theater, this native-4K laser movie projector provides powered lens memories. If the room also hosts a fast console, keep in mind its 60 Hz input ceiling.

Best for
Most of what you watch is films at 24 or 60 frames per second

Facts we checked

  • 120-inch optical distance: About 11.7 to 18.7 ft
  • Imaging: Native 4096 by 2160 D-ILA
  • Maximum 4K input: 60 Hz
  • Lens control: Powered zoom, focus and shift
Option B
Epson QB1000

Epson, V11HB23120

QB1000

For a dedicated theater, this large 3LCD laser projector provides powered lens controls, 4K/120 support and automatic HDR tone mapping.

Best for
Your rear lens position is over nineteen feet from a 120-inch screen

Facts we checked

  • 120-inch optical distance: About 11.8 to 24.8 ft
  • Imaging: 3LCD with 4K pixel shifting
  • Maximum 4K input: 120 Hz
  • Lens control: Powered zoom, focus and shift

Spec by spec

Where they really differ

Where JVC DLA-NZ500 and Epson QB1000 differ
SpecJVC DLA-NZ500Epson QB1000In practice
120-inch optical distanceAbout 11.7 to 18.7 ftAbout 11.8 to 24.8 ftClose-in positions are about the same. Epson goes much farther back.
ImagingNative 4096 by 2160 D-ILA3LCD with 4K pixel shiftingNeither uses sequential-color single-chip DLP. Panel type is not a measure of installed image quality.
Maximum 4K input60 Hz120 HzEpson alone meets a required 4K/120 source format.
Lens controlPowered zoom, focus and shiftPowered zoom, focus and shiftEither can be adjusted from the seating area, but the ranges differ.
Published output2,000 lumens3,300 white and color lumensThese do not come from brightness measurements in matched modes.

Trade-offs

What each pick costs you

With JVC DLA-NZ500

  • Weighing 32.2 lb, it calls for a properly rated mount and space for rear exhaust.

With Epson QB1000

  • A 120-inch picture can't be made from a ten-foot lens position, because the minimum throw is 1.35:1.

Change of plan

When the answer changes

Most of what you watch is films at 24 or 60 frames per second

Go with JVC DLA-NZ500. You rank native-4K D-ILA panels highly

Your rear lens position is over nineteen feet from a 120-inch screen

Go with Epson QB1000. You need 4K/120 for your console or PC

By the numbers

What the data shows

What we found across the home projectors we compare, plus the checked facts behind each finding.

Show the facts and the math
Models in the comparison
2 models
Sources
5 covering these models
Product data updated
The facts and sources behind each product in this recommendation
ProductNeeds it meetsFacts we checkedSources
JVC DLA-NZ500
  • Most of what you watch is films at 24 or 60 frames per second
  • You rank native-4K D-ILA panels highly
  • Your mount position is within the NZ500 optical range
  • 120-inch optical distance: About 11.7 to 18.7 ft
  • Imaging: Native 4096 by 2160 D-ILA
  • Maximum 4K input: 60 Hz
  • Lens control: Powered zoom, focus and shift
  • Published output: 2,000 lumens
Epson QB1000
  • Your rear lens position is over nineteen feet from a 120-inch screen
  • You need 4K/120 for your console or PC
  • A tricky offset mount means checking the Epson shift diagram
  • 120-inch optical distance: About 11.8 to 24.8 ft
  • Imaging: 3LCD with 4K pixel shifting
  • Maximum 4K input: 120 Hz
  • Lens control: Powered zoom, focus and shift
  • Published output: 3,300 white and color lumens

Ready to buy

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Open either model on Amazon for the current price, customer reviews and delivery options.

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