The catch
Marantz CINEMA 70s
One HDMI output for a display.
Side by side
If a low cabinet is the hard constraint, the original CINEMA 70s is the right choice. The original CINEMA 60 is the better pick for two displays, Audyssey MultEQ XT or a larger published two-channel power budget. Seven-channel processing is the ceiling on both.
Before you buy
CINEMA 70s frees up 2.2 inches of height and uses 1.2 inches more depth.
Where this comes from
CINEMA 70s is quoted at 4.3 high and 15.1 deep, while CINEMA 60 is 6.5 high and 13.9 deep.
The catch
One HDMI output for a display.
The catch
The chassis stands 2.2 inches higher.


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Original Marantz CINEMA 70s against CINEMA 60, covering cabinet fit, two displays, room correction, power ratings and external amplifier options.
If a low cabinet is the hard constraint, the original CINEMA 70s is the right choice. The original CINEMA 60 is the better pick for two displays, Audyssey MultEQ XT or a larger published two-channel power budget. Seven-channel processing is the ceiling on both.
Which one fits
The CINEMA 60 chassis stands 6.5 inches tall.
Two HDMI outputs on CINEMA 60.
CINEMA 60 has 1.2 inches less depth.
Seven main pre-outs and seven-channel processing come with both.
In practice
CINEMA 70s frees up 2.2 inches of height and uses 1.2 inches more depth.
CINEMA 70s is quoted at 4.3 high and 15.1 deep, while CINEMA 60 is 6.5 high and 13.9 deep.
CINEMA 60's 100W rating, set against 50W, gives about 3dB of theoretical electrical headroom when conditions match.
10 × log10(100 ÷ 50) is approximately 3.01dB. This calculation says nothing definite about room loudness or multichannel behavior.
Seven main-channel pre-outs come with each, so amplification can live outside either chassis.
Both models have 7.2 pre-outs and seven main processing channels. That adds no further speaker processing.
Check a documented speaker layout against HDMI sources and external-amplifier plans.
Handles your setup
Runs 5.1.2 on its own built-in amplifiers. Takes 3 HDMI devices, 1 of them at 4K/120Hz.
Handles your setup
Runs 5.1.2 on its own built-in amplifiers. Takes 3 HDMI devices, 1 of them at 4K/120Hz.
A powered subwoofer does not count toward the speaker channels. This checks one main room. Check Zone 2, bi-amping and unusual speaker assignments yourself. Leave room for ventilation, and confirm HDMI settings, cables and speaker impedance before you install.

Marantz, CINEMA 70s
Seven amplifiers and full 7.2 pre-outs fit into the 4.3-inch-tall chassis of the original slim CINEMA 70s. Use it as the anchor of a low-profile 5.1.2 room, or let it feed a separate power amp.

Marantz, CINEMA 60
Audyssey MultEQ XT, two HDMI monitor outputs and seven main-channel pre-outs are all on the original CINEMA 60. It fits a 5.1.2 room that could later move to external amplification.
Spec by spec
| Spec | Marantz CINEMA 70s | Marantz CINEMA 60 | In practice |
|---|---|---|---|
| Chassis height | 4.3 inches | 6.5 inches | Before ventilation is counted, CINEMA 70s saves 2.2 inches of chassis height. |
| HDMI display outputs | 1 | 2 | A TV and projector both stay connected to CINEMA 60. |
| Included room correction | Audyssey MultEQ | Audyssey MultEQ XT | The calibration tier is different. |
| Published two-channel power | 50W into 8 ohms | 100W into 8 ohms | Each rating is based on 20Hz to 20kHz and 0.08% distortion with two channels driven. |
| Chassis depth | 15.1 inches | 13.9 inches | Although shorter, CINEMA 70s is 1.2 inches deeper. |
Trade-offs
Change of plan
Go with Marantz CINEMA 70s. The 4.3-inch chassis is the one with the lower profile. It still needs ventilation space.
Go with Marantz CINEMA 60. Both displays stay connected through its two main-room HDMI outputs.
Neither model fits. Neither the documented processing layouts nor the internal-amplifier ones cover this requirement. Pick a receiver that has the physical configuration you need.
Decision guide
The original CINEMA 70s fits when a low cabinet is the hard limit. The original CINEMA 60 fits when you want two displays, Audyssey MultEQ XT or a larger published two-channel power budget. Both are still seven-channel processors.
At 2.2 inches shorter, the CINEMA 70s is the natural starting point for a low cabinet. It is also 1.2 inches deeper than the CINEMA 60, though, so a narrow gap at the rear can overturn a choice made on height alone. Take the horizontal-antenna dimensions as the chassis reference, then add the manufacturer's ventilation allowance and real room for cable bends.
Two HDMI monitor outputs come on the CINEMA 60, against one on the CINEMA 70s. A room with a TV and a projector, which would otherwise need output switching, benefits from that. Six HDMI inputs and three high-frame-rate inputs are the same on both, so your source inventory will not separate them until a second display joins the installation.
The published two-channel power on the CINEMA 60 is double, which works out to about 3dB under matching electrical conditions. Treat that as context. It does not promise all-channel volume. Seven main-channel pre-outs are exposed on both receivers, so a separate power amp is possible if the system calls for one. Neither can become a nine-channel processor, which means four-height plans need another receiver.
By the numbers
What we found across the AV receivers we compare, plus the checked facts behind each finding.
None of the 34 models checked meets all of “Fit into a low AV cabinet”, “Run a TV and a projector”, and “Use a separate power amplifier again”, so the pick goes to the closest practical compromise.
0 models fit, out of 34 checkedHow we countedThe count uses each product's current fit ratings for “Fit into a low AV cabinet”, “Run a TV and a projector”, and “Use a separate power amplifier again”. A need with no documented match is not counted.
| Product | Needs it meets | Facts we checked | Sources |
|---|---|---|---|
| Marantz CINEMA 70s |
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| Marantz CINEMA 60 |
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Ready to buy
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The chassis height needs to be about 4.3 inches
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A TV and a projector each need an HDMI output
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